"An ignorant on the subject"

How to speak of an eminent musicologist telling the story of someone who knew stories

Authors

DOI:

https://doi.org/10.5281/zenodo.8239117

Keywords:

Juan Francisco Sans, musicology, artistic research, music education, Venezuela

Abstract

The figure of Juan Francisco Sans represents for Latin American musicology one of the most important references of recent years. His vast work, his great capacity for dedication and commitment to knowledge, as well as to musical practice, constitute today an inescapable example of a professional of integrity in every sense of the word. In my short friendship I had the opportunity to tell him about my concerns and aspirations in research, and thus receive his guidance with unparalleled generosity. These words serve to honour the memory of one of the greatest musicologists in the world. All this from a story that evidences his noblest facet: research, disseminate and teach.

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Author Biography

Oswaldo Antonio Rodríguez Reinoso, Centro Universitario Tecnológico- Universidad Tecnológica Centroamericana

Venezuelan lyric singer trained at the Conservatory of Music "Vicente Emilio Sojo" in Barquisimeto, with further training in Spain and Italy. His artistic career began in 2001 and developed in Venezuela, Ecuador, Peru, Cuba, Colombia, Honduras, Nicaragua and Spain. He teaches lyrical singing, vocal technique, choral practice and, since 2009 dedicated to research on music education, musicology, didactics of research and special education. didactics of research and special education. Invited member of the Sociedad Venezolana de Musicología, Researcher of the Centro Universitario Tecnológico (Ceutec) and of the Grupo de Investigación Filológica de la Universidad Nacional Autónoma de Honduras (UNAH). He is author of several publications and has participated in academic events in Venezuela, Cuba, Chile, Italy and Honduras, Cuba, Chile, Italy and Honduras. He is currently studying Psychology at Ceutec in Honduras.

References

Baker, G. (2014). El Sistema. Orchestrating Venezuela’s Youth. Oxford University Press.

López- Cano, R., y San Cristóbal, U. (2014). Investigación artística en música. Problemas, métodos, experiencias y modelos. Fondo Nacional para la Cultura y las Artes­-Escola Superior de Musica de Catalunya-­Grup de Reserca Investigació i Creació Miscals.

Mugglestone, E. (1981). Guido Alder’s “The Scope, Method, and Aim of Musicology” (1885): An English translation with an Historic­Analytical commentary. Yearbook for traditional Music, 13, 1­-21. https://doi.org/10.2307/768355

Palacios. M., y Sans J.F. (2022). Estado actual y perspectiva en los estudios sobre música afrovenezolana. En: Palacios, F. (ed.). Comprendiendo América: el aporte esencial de la música afroamericana al significado sociocultural del continente. Pontificia Universidad

Católica del Ecuador.

Rodríguez, O. (2017). Fenomenología de la Vocalidad: proto­categoría de una didáctica transdisciplinaria para el estudio del canto. Revista Neuma, 10 (2), 60­-83. https://neuma.utalca.cl/index.php/neuma/article/view/51

Sans, J.F. (2016). Analfabetos, analfatics, analfanotas. Reflexiones en voz alta para la recuperación de la sindéresis epistemológica en la musicología. Universalia/Músicas, 3, 6­ -19.https://www.academia.edu/30485856/Analfabetos_Analfatics_Analfanotas

Sans, J.F. (2018). Arias antiguas del nuevo mundo. Siglos XVII y XVIII. Fondo Editorial Facultad de Humanidades y Educación de la Universidad Central de Venezuela.

Sans, J.F. (19 al 21 de febrero de 2020). Arias antiguas del nuevo mundo. [Comunicación en congreso] I Jornadas de Investigación JOIM Universidad de Loja. https://unl.edu.ec/investigacion/produccion­cientifica/memorias­de­las­i­jornadas­deinvestigacion­musical­joim­2020

Zerpa, I. (2014). La investigación en la Fundación Conservatorio “Vicente Emilio Sojo”: una experiencia para la construcción de saberes. Universalia/Músicas, 1,5­-16.

Cubierta Mayéutica Revista Científica de Humanidades y Artes, Vol 11, Nro. 2

Published

2023-07-01

How to Cite

Rodríguez Reinoso, O. A. (2023). "An ignorant on the subject" : How to speak of an eminent musicologist telling the story of someone who knew stories. Mayéutica Revista Científica De Humanidades Y Artes, 11(2), 151-160. https://doi.org/10.5281/zenodo.8239117

Issue

Vol. 11 No. 2 (2023): Mayéutica revista científica de humanidades y artes

Section

Información científica y cultural

Copyright (c) 2023 Oswaldo Antonio Rodríguez Reinoso

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